A Very Special Intimate Evening With Lil’ Kim In Concert! Monday, July 12, 2010 • 8pm
After making her presence known on Junior M.A.F.I.A.’s debut album, Conspiracy, Lil’ Kim launched a solo career in 1996 with the release of her first record, Hard Core. As the album’s title implies, Kim was a rarity among female rappers — one who not only concentrated on edgy hardcore rap but also explicit sexuality, two territories that had long been the province of male rappers.
Of course, Kim’s near-pornographic sexuality and hard-edged rhythms made her an anomaly within hip-hop, but Hard Core proved that she was no novelty, as it garnered positive reviews and strong sales. A native of Bedford-Stuyvesant, Brooklyn, Lil’ Kim was raised by her parents until they split up when she was nine years old. Following their separation, she lived with her father, yet he threw her out of the house when she was a teenager. As a teen, she lived with her friends and, occasionally, on the streets. Eventually, she and her rhyming skills came to the attention of Biggie Smalls, who helped her cultivate her career. Smalls helped her become a member of Junior M.A.F.I.A., and Kim was a key part of the group’s hit debut single, “Player’s Anthem.” Kim also made a big impression on the remainder of Junior M.A.F.I.A.’s 1995 debut album, Conspiracy.
Month:June 2010
LEGAL STRATEGY THAT JOE TSAI, THE NETS, NBA, AND NIKE OWE KYRIE IRVING FULL CONTRACTUAL BENEFITS, DAMAGES
LEGAL STRATEGY THAT JOE TSAI, THE NETS, NBA, AND NIKE OWE KYRIE IRVING FULL CONTRACTUAL BENEFITS, DAMAGES
Kyrie Irving forced to make an unqualified apology
As a 50 year, LEGENDARY, pioneering SUPER AGENT/BUSINESS MANAGER/ADVISOR of the Sports and Entertainment Legal Business field, IT IS MY PROFESSIONAL OPINION THAT THERE IS A LEGAL STRATEGY WITH A GREAT POSSIBILITY THAT JOE TSAI AND THE NETS, THE NBA, AND NIKE, AMONG OTHERS, OWE KYRIE IRVING HIS FULL CONTRACTUAL BENEFITS AND FOR THE DAMAGE TO AND LOSS THEREOF HIS NAME, CREDIBILITY, REPUTATION AND EARNING CAPACITY FOR ENDORSEMENTS, ETC.! THE DAMAGE WAS CAUSED BY THE NETS, THE NBA, AND NIKE THEMSELVES WITH THE ONEROUS PUNISHMENT FORCED UPON KYRIE FOR THE ALLEGED ANTI-SEMITIC ACTIONS THAT HE DID NOT COMMIT AND THE FURTHER PERSECUTION OF IRVING WITH THE IMPOSITION OF THE EXTRA JUDICIAL INHUMANE “SIX CONDITIONS” BY JOE TSAI AND THE NETS WITH COMPLICITY OF THE NBA, THAT HE HAD TO CURE TO OVERCOME HIS BEING “UNFIT TO BE ASSOCIATED WITH THE TEAM”!!
Those steps included a spoken/written apology condemning the film, a $500,000 donation to anti-hate causes, sensitivity and antisemitic training, as well as meetings with the ADL, Jewish leaders, and Nets owner Joe Tsai. The HYPOCRITE NBA Commissioner Adam Silver with his feigned SELF-SERVING, SELF RIGHTEOUS INDIGNATION AND OURAGE stepped in and DEMANDED a meeting and an UNQUALIFIED APOLOGY, DENUNCIATION AND CONDEMNATION of the film from Kyrie BEFORE any reinstatement!
Irving issued several written apologies “To All Jewish families and Communities that are hurt and affected from my post, I am deeply sorry to have caused you pain, and I apologize” without outright condemning the film, made a $500,000 donation to anti-hate causes, and met with Tsai and NBA Commissioner Adam Silver.
Kyrie apologized when he Did NOT offer an unqualified endorsement and more specifically verbally praise the alleged vile and harmful content contained in the film he allegedly chose to publicize? THOSE ARE ALL JOE TSAI AND THE NETS, THE NBA, AND NIKE, AMONG OTHERS, UNFORCED ERRORS, INTENTIONALLY WRONGFUL CONCLUSIONS OR OPINIONS!! THE ISSUE WAS Semitic/ANTI-Semitic! KYRIE WAS RIGHT ON THAT!
After their meeting, Tsai said “We spent quality time to understand each other and it’s clear to me that Kyrie does not have any beliefs of hate towards Jewish people or any group”.
NBA Commissioner Adam Silver said he has “no doubt” that Irving is not antisemitic” and “The Nets and Kyrie, together with the NBA and NBPA, are working constructively toward a process of forgiveness, healing and education” the National Basketball Players Association told its members in an email.
Yet Irving was NOT permitted to play!
Tsai tweeted the guard “still has work to do.”
The original suspension by the Nets detailed “We were dismayed today, when given an opportunity in a media session, that Kyrie refused to unequivocally say he has no antisemitic beliefs, nor acknowledge specific hateful material in the film,” the Nets wrote in a statement not attributed to any individual. “This was not the first time he had the opportunity — but failed — to clarify.
“Such failure to disavow antisemitism when given a clear opportunity to do so is deeply disturbing, is against the values of our organization, and constitutes conduct detrimental to the team. Accordingly, we are of the view that he is currently unfit to be associated with the Brooklyn Nets.”
“He has to show people that he’s sorry,” Tsai told The New York Post. “What’s important — and what people miss — is he only apologized after he was suspended.”
Jalen Brown, VP of the National Basketball Players Association called the response from Tsai, “alarming for multiple reasons.”
“We have maintained from the beginning, and will continue to repeat every chance we get, that Kyrie and the Players Association unequivocally condemn antisemitism and all other forms of hate,” the union wrote.
It added, “We continue to make sure that Kyrie’s rights, and the rights of all future players, have been protected at every turn, and look forward very soon to a resolution of all matters satisfactory to all parties.”
Apparently he still had to satisfactorily complete “sensitivity and antisemitic training, as well as meetings with the ADL, Jewish leaders”.
Kyrie Irving missed the Brooklyn Nets’ six games after the team issued the guard a five-game minimum suspension for his repeated refusal to apologize for posts linking to an alleged antisemitic film.
The suspension continued and Irving was losing $252,000 per game!
Tsai’s DEMANDS that Irving has to “outright condemn the film”, satisfactorily complete “sensitivity and antisemitic training, as well as meetings with the ADL, Jewish leaders” may be the MOST ONEROUS AND DAMNING EVER IN VIOLATION OF HIS CONSTITUTIONAL AND RELIGIOUS RIGHTS!
Nets owner Tsai was the face of NBA’s TERRORIZING Kyrie Irving and over one million Uyghur Muslims and other ethnic minorities- has financially contributed to the Chinese government’s Human Rights violations in the cultural genocide of the Muslim population, jailing them in barbed-wire camps, sterilizing women, destroying mosques, forced labor, banning religious activities including the Holy month of Ramadan, and forced “re-education” as an Advocate of China’s Communist Regime! KYRIE IRVING IS Muslim! MOST SEMITES ARE MUSLIMS!
Tsai claims Irving is “UNFIT TO BE ASSOCIATED WITH THE TEAM” because he had declined to say he has no antisemitic views in the week since he posted a link on Twitter to a film with alleged hateful claims about Jewish people.
“Such failure to disavow antisemitism when given a clear opportunity to do so is deeply disturbing, is against the values of our organization, and constitutes conduct detrimental to the team,” the Nets said in a statement.
Irving’s tweet WAS NOT a “TEAM ACTIVITY”, he was acting as an individual without any responsibility nor liability to nor for the team!
The TEAM CAUSED AND IS RESPONSIBLE FOR ALL THE DAMAGE BY THEIR KNEELING DOWN BEFORE AND TO THE JEWISH “ANTI-SEMITIC” KABBALAH MEDIA MACHINERY BULLYING THEM INTO SUBMISSION WITH THEIR ILLEGAL, IRRELIGIOUS DEMANDS!
THE NBA Players Association should have IMMEDIATELY filed a Federal Grievance Complaint and request for arbitration and had the NBA stay ANY and ALL actions by the team until the matter was decided.
The ILLEGAL, IRRELIGIOUS DEMANDS of JOE TSAI AND THE NETS, THE NBA, AND NIKE, AMONG OTHERS, NOT ONLY
Jack Ma standing, Joe Tsai seated
VIOLATE HIS NBA CONTRACT, it violates the tenets of Kyrie’s own self professed religion of Islam and his being forced to denounce anything that may violate his personal beliefs as well, is just further evidence of TSAI AND THE NETS, THE NBA, AND NIKE, AMONG OTHERS, belief that they can coerce Kyrie into their form of forced “re-education” as Tsai has with the over one million Uyghur Muslims in China’s Communist Regime!
Under what paragraph in Irving’s contract with the Nets and the NBA/NBAPA Collective Bargaining Agreement allows for these conditions to be LEGALLY imposed upon a player??!!
IT IS AN OUTRIGHT VIOLATION OF HIS CONSTITUTIONAL AND RELIGIOUS RIGHTS TO DEMAND HE “outright condemn the film”!
IT IS AN OUTRIGHT VIOLATION OF HIS CONSTITUTIONAL AND RELIGIOUS RIGHTS TO DEMAND HE “satisfactorily complete “sensitivity and antisemitic training”!
IT IS AN OUTRIGHT VIOLATION OF HIS CONSTITUTIONAL AND RELIGIOUS RIGHTS TO DEMAND HE “meet with the ADL, Jewish leaders”!
THESE DEMANDS ARE IN DIRECT CORRELATION TO TSAI’S COMMUNIST CHINESE GOVERNMENT GENOCIDE AND TERRORIZING OF THE UYGHUR MUSLIMS HUMAN RIGHTS VIOLATIONS OF JAILING THEM IN BARBED-WIRE CAMPS, STERILIZING WOMEN, DESTROYING MOSQUES, FORCED LABOR, BANNING ISLAMIC RELIGIOUS ACTIVITIES INCLUDING THE HOLY MONTH OF RAMADAN, AND FORCED “RE-EDUCATION” TO PROGRAM THEM OUT OF ISLAM!!
IT IS APPARENT THAT TSAI AIMS TO FORCE IRVING’S “RE-EDUCATION” TO DEPROGRAM HIM OUT OF HIS ISLAMIC FAITH!!
Here in America, there has been numerous reports of how certain elements of society has attempted to release (someone) from apparent brainwashing, gender/sexual inclinations/deviations, addiction, typically that of a social or religious group/cult, by the systematic re-indoctrination of conventional values!
Additionally, there have been numerous complaints from Jewish/Hebrew/Israeli groups that have found fault with the ADL and certain Jewish leaders that would make meetings with them even MORE PROBLEMATIC and AN OUTRIGHT VIOLATION OF HIS CONSTITUTIONAL AND RELIGIOUS RIGHTS!
IT IS BECOMING MORE AND MORE CLEAR IN THIS CASE THAT THIS IS THE ULTIMATE GOAL OF TSAI’S!
KYRIE IRVING IS Muslim and a SEMITE AS ARE MOST MUSLIMS!
It is Tsai that needs to “satisfactorily complete “sensitivity and antisemitic training”!
THIS BRINGS INTO QUESTION AND DEMANDS A RESPONSE FROM TSAI as there HAVE BEEN NUMEROUS ATTEMPTS, BUT THERE IS NO RECORD OF HIS PUBLICLY ADDRESSING, MUCH LESS ISSUING AN APOLOGY, CONDEMNING THE GENOCIDE OF MUSLIMS IN CHINA WITH HIS FUNDS AND TECHNOLOGY that many China experts hold him accountable for!
In China, under Tsai’s leadership, Alibaba funded companies that helped China build “an intrusive, omnipresent surveillance state that uses emerging technologies to track individuals with greater efficiency,” according to a 2020 congressional report.
Those companies are blacklisted by the U.S. government for supporting a “campaign of repression, mass arbitrary detention and high-tech surveillance” through state-of-the-art racial profiling technologies that are being used widely in the western region of Xinjiang, where the government has forced more than 1 million Uyghur Muslims and other ethnic minorities into barbed-wire “re-education” camps, policies that have been described as cultural “genocide” by the United States, several other countries and human rights organizations.
“Joe Tsai has had all the warning in the world about what is happening in Xinjiang, and if he thought it was important to extricate Alibaba, it would have happened,” said Matt Schrader, a China analyst for the International Republican Institute, which promotes democracy around the world. “Joe Tsai is the second-most powerful person at the company.”
On Oct. 7, 2019, the U.S. Department of Commerce announced that 28 Chinese organizations — including Megvii and SenseTime, the Alibaba-funded artificial intelligence companies — had been added to the “Entity List,” which imposes trade restrictions on people or institutions engaged in activity “contrary to the national security or foreign policy interests of the United States.”
Surveillance is at the core of China’s efforts to control the Uyghur population, a policy the government says is necessary to stop terrorism and maintain stability. ESPN reported in 2020 that American coaches at an NBA training academy in Xinjiang were surveilled and harassed. One coach said he was detained three times, comparing the atmosphere to “World War II Germany.”
JOE TSAI IS ANTI-SEMITIC!!!
Tsai’s DISGUSTING activities has now brought into play legally compelling responses requiring legal answers to his involvement in the
Sanction China over Uyghur “Genocide”
funding of the Communist Chinese Genocide of Uyghur Muslims, their forced re-education/de-programing, renouncing their illegal Human Rights policy violations, among others, THAT HE AND THE NBA DO NOT WANT TO BE INVESTIGATED, EXPOSED NOR LITIGATED!!
ADAM SILVER SHEKEL HIGHNESS- WHERE IS YOUR SELF-SERVING, SELF RIGHTEOUS INDIGNATION AND OURAGE AT ANTI-SEMITE JOE TSAI FUNDING Chinese Genocide OF Uyghur Muslims, jailing them in barbed-wire camps, sterilized women, destroyed mosques, forced labor, banned Holy Ramadan, forced “re-education”!
“Amid growing international condemnation, the [People’s Republic of China (PRC)] continues to commit genocide and crimes against humanity” in the Xinjiang region, Secretary of State Antony Blinken said in a statement. “The United States reiterates its calls on the PRC to bring an end to the repression of Uyghurs, who are predominantly Muslim, and members of other ethnic and religious minority groups in Xinjiang, including by releasing all those arbitrarily held in internment camps and detention facilities.“
United States and its allies in Canada, Britain and the European Union announced sanctions on several Chinese officials alleged to have links to what U.S. officials say is a genocidal campaign against Uyghur Muslims. “These actions demonstrate our ongoing commitment to working multilaterally to advance respect for human rights and shining a light on those in the PRC government and [Chinese Communist Party] responsible for these atrocities,“ Blinken said.
U. S. Treasury also added that “Since at least late 2016, repressive tactics have been used by the XPSB against the Uyghurs and members of other ethnic minorities in the region, including mass detentions and surveillance.“
Tsai has publicly defended some of China’s most controversial policies. He described the government’s brutal crackdown on dissent as necessary to promote economic growth; defended a law used to imprison scores of pro-democracy activists in Hong Kong as necessary to squelch separatism; and, when questioned about human rights, asserted that most of China’s 1.4 billion citizens are “happy about where they are.”
Matt Turpin, the former China director for the National Security Council, said Tsai is “under significant pressure to be seen as doing what Beijing wants him to do. I don’t necessarily fault him. He’s in this impossible position.”
But he said Alibaba’s support of Megvii and SenseTime and human rights abuses were well documented and should give the NBA pause.
“Last I checked, that’s a pretty abysmal thing to be associated with,” Turpin said. “In today’s NBA, I guess it’s not a problem.”
Last December, the U.S. Treasury Department added Megvii, SenseTime and six other Chinese companies to a separate blacklist that prohibits Americans from holding stock in those firms. A department spokesman accused the companies of “actively cooperating with the government’s efforts to repress members of ethnic and religious minority groups.”
Matt Schrader, the China analyst, said Tsai has a choice, ”Joe Tsai could resign,” , “He doesn’t have to do this. He’s a Canadian citizen. He has the freedom to make that choice so long as Alibaba continues to facilitate and participate in a genocide.”
Then Vice President Mike Pence, who later addressed the controversy in a speech, saying: “The NBA is acting like a wholly owned subsidiary of that authoritarian regime.”
Republicans and Democrats in Congress rallied and railed against the NBA. Silver then issued a statement, acknowledging the league’s first comments “left people angered, confused or unclear” and affirmed the NBA’s commitment to free expression. The next day, a bipartisan letter signed by, among others, Sen. Ted Cruz, R-Texas, and Rep. Alexandria Ocasio-Cortez, D-New York, said it was “outrageous that the NBA has caved to Chinese government demands for contrition.”
In a statement provided to ESPN, Silver said, “We have always supported and will continue to support every member of the NBA family, including Daryl Morey and Enes Freedom, expressing their personal views on social and political issues.”
NBA Commissioner Adam Silver with Kyrie Irving
The NBA declined to make Silver available for an interview.
“It doesn’t matter if you call him an entrepreneur, a sports owner or a philanthropist, he is channeling the kind of Chinese authoritarianism into the U.S. with a more soft approach that’s quite daunting,” Law said.
ESPN could find no record of Tsai publicly addressing China’s repressive policies in Xinjiang or Alibaba’s funding of companies whose technology was used by the government in the abuses. But many China experts hold him accountable. NBA China is valued at $5 billion. (ESPN owns 5% of NBA China.)
Like all foreign companies, the NBA operates in China at the whim of the Communist Party.
Neither Silver nor anyone from the league office has commented on human rights abuses in China.
AS HE HAS DEMANDED OF IRVING, TSAI MUST ISSUE AN APOLOGY CONDEMNING THE GENOCIDE OF MUSLIMS IN CHINA WITH HIS FUNDS AND TECHNOLOGY, DONATING $500 MILLION TO ANTI-ISLAMIC CAUSES, SATISFACTORILY COMPLETING SENSITIVITY AND TRAINING, MEETING WITH ISLAMIC LEADERS AND KYRIE IRVING!
AGAIN, Tsai’s DISGUSTING activities has now brought into play legally compelling responses requiring legal answers to his involvement in the funding of the Communist Chinese Genocide of Uyghur Muslims, their forced re-education/de-programing, renouncing their illegal Human Rights policy violations, among others, THAT HE AND THE NBA DO NOT WANT TO BE INVESTIGATED, EXPOSED NOR LITIGATED!!
AGAIN, IT IS MY PROFESSIONAL OPINION THAT THERE IS A GREAT POSSIBILITY THAT JOE TSAI AND THE NETS, THE NBA, AND NIKE, AMONG OTHERS, OWE KYRIE IRVING HIS FULL CONTRACTUAL BENEFITS AND FOR THE DAMAGE TO AND LOSS THEREOF HIS NAME, CREDIBILITY, REPUTATION AND EARNING CAPACITY FOR ENDORSEMENTS, ETC.! THE DAMAGE WAS CAUSED BY THE NETS, THE NBA, AND NIKE THEMSELVES WITH THE ONEROUS PUNISHMENT FORCED UPON KYRIE FOR THE ALLEGED ANTI-SEMITIC ACTIONS THAT HE DID NOT COMMIT AND THE FURTHER PERSECUTION OF IRVING WITH THE IMPOSITION OF THE EXTRA JUDICIAL INHUMANE “SIX CONDITIONS” BY JOE TSAI AND THE NETS WITH COMPLICITY OF THE NBA, THAT HE HAD TO CURE TO OVERCOME HIS BEING “UNFIT TO BE ASSOCIATED WITH THE TEAM”!!
A Very Special Intimate Evening With Lil’ Kim In Concert! Monday, July 12, 2010 • 8pm
After making her presence known on Junior M.A.F.I.A.’s debut album, Conspiracy, Lil’ Kim launched a solo career in 1996 with the release of her first record, Hard Core. As the album’s title implies, Kim was a rarity among female rappers — one who not only concentrated on edgy hardcore rap but also explicit sexuality, two territories that had long been the province of male rappers.
Of course, Kim’s near-pornographic sexuality and hard-edged rhythms made her an anomaly within hip-hop, but Hard Core proved that she was no novelty, as it garnered positive reviews and strong sales. A native of Bedford-Stuyvesant, Brooklyn, Lil’ Kim was raised by her parents until they split up when she was nine years old. Following their separation, she lived with her father, yet he threw her out of the house when she was a teenager. As a teen, she lived with her friends and, occasionally, on the streets. Eventually, she and her rhyming skills came to the attention of Biggie Smalls, who helped her cultivate her career. Smalls helped her become a member of Junior M.A.F.I.A., and Kim was a key part of the group’s hit debut single, “Player’s Anthem.” Kim also made a big impression on the remainder of Junior M.A.F.I.A.’s 1995 debut album, Conspiracy.
Hammer “Rap-The-Vote Concert Series” Secured Re-Election of Russian President Boris Yeltsin
How Abdul-Jalil and MC Hammer HISTORIC “Rap-The-Vote Concert Series” Campaign Strategy Spawned Rise of Vladamir Putin to Power AND Secured Re-Election of Russian President Boris Yeltsin!
HAPPY BIRTHDAY HAMMER!
BLACK HISTORY is WORLD HISTORY, EVERYDAY! Create It, Write It, Live/Be It, Celebrate It!
How Abdul-Jalil and MC Hammer HISTORIC “Rap-The-Vote Concert Series” Campaign Strategy Spawned Rise of Vladamir Putin to Power AND Secured Re-Election of Russian President Boris Yeltsin!
This article was written strictly from a WORLD HISTORIC perspective about how our “WORLD ALTERING” Urban-American, western style, political campaign strategy utilizing M. C. Hammer in a “Rap-The-Vote Concert Series” secured the 18-45 voter turnout and the re-election of Russian President Boris Yeltsin in 1995 with the “Our Home Is Russia” (NDR), a Russian liberal political party. Abdul-Jalil al-Hakim devised a strategic plan, executive produced, produced, filmed and broadcast on Russian National TV a series of concerts in St. Petersburg, Moscow, and the WORLD. This campaign tactic was their most effective strategy, greatest strength- uniquely different and vastly superior to anything Russia had ever witnessed. This comprehensive, targeted attack with our expertise well grounded in modern focused campaigning strategy, advertising, marketing, and promotions was trumpeted for saving Russian democracy with Yeltsin’s re-election ensuring continuity in the Democratic evolution of Russia and securing world peace. The television programming was so successful that it has regularly run on air since 1995!
This strategy was trumpeted for saving Russian democracy with Yeltsin’s re-election ensuring continuity in the Democratic evolution of Russia and securing world peace.
At the time we began our concerts and campaign events over the weeks in St. Petersburg, Vladimir Putin was then Deputy mayor of St. Petersburg, organized the St. Petersburg branch of the Party Our Home Is Russia, was it’s Chairman, and led the campaign issue of the party in the elections to the Duma that led to his rise to power and being named President of Russia by Boris Yeltsin.
After our concerts and campaign events over the weeks ending in Moscow, our overwhelmingly positive Polling numbers cemented the campaign an incredible success and this strategy was heralded world wide by political pundits as “incredibly brilliant”, “ a global coup”, “a miraculous event in history”, a “triumph for democratic reform” and “universally invaluable” in it’s effect of being “a savior”, as Yeltsin was the only alternative to guaranteeing the West’s and the World’s political, economic, and military security to carry out their reform agenda.
BUT, with a Western audience in mind, and I must add an important clarification that I do not aim to justify the authoritarian tendency or the confrontational policies undertaken by Russia, EVER. However, a sober conversation about missed opportunities, of what went wrong, requires a scrutinizing evaluation not only of Russian, but also of the rest of the World, including China, North Korea, South America, Israel and the United States.
Since the collapse of the Soviet Union, Russia has been traversing its own, often difficult path toward independent development. The trajectory of the country’s development was mostly determined by internal factors, particularly concerning the balance of power among various sections of the Russian elite.
For Russia, the early 1990s were one of those critical junctures when many paths were open. The politically active section of society defeated a decrepit totalitarian regime, hoping to restore Russia’s full participation in the community of developed states in the global north. In those days, the most pressing question in Russian society appeared to concern identity: Who are we? In searching for an answer, many members of the reformist elite waited for the West to extend a hand in friendship, to offer assistance as equals. Accordingly, many among the Russian elite and society at large answered that question by attempting to reclassify their country as a member of the “first world.” It was the world Andrei Sakharov dreamed that Russia could join, as yesterday’s foe and tomorrow’s friend. That move, they hoped, could lead to Russia’s deeper integration into the West’s political, economic, and security structures, such as the EU, NATO, WHO, Schengen Zone, and the World.
Such a move, had it been successful, would not have prevented a nationalist backlash in subsequent years but might at least have limited it: elites integrated into Western systems would have valued the advantages of their position. And if, regardless of those achievements, Russia’s leaders had still opted for isolationism, then the world would be discussing “Russia’s Brexit” and its departure from the EU. It would not be discussing the invasion of Ukraine, the annexation of Crimea, wars in Georgia and Chechnya, and the evisceration of constitutional freedoms in Russia.
“Our Home Is Russia” (NDR) was a Russian liberal political party founded in 1995, existed to 2006, by former Gazprom chairman, then Russian Prime Minister Viktor Chernomyrdin. It was a liberal, centrist political movement, founded for the purpose of rallying more technocratic-reformist (right-wing) government supporters. At the time of its founding, Chernomyrdin had the backing of Russian president Boris Yeltsin along with numerous large financial institutions such as Association of Russian Banks, and major companies such as Gazprom, of which he was formerly the chairman.
Viktor Chernomyrdin, served as Russia’s prime minister under then President Boris Yeltsin from 1992 to 1998, a turbulent period of economic hardship and political turmoil as a bankrupted Russia struggled to recreate itself as a democracy after the Soviet collapse, developing as a market economy while throwing off communism and engineered the creation of Gazprom, now the world’s biggest gas company.
The movement attracted the sympathies and interests of many prominent members of the ruling elite of Russia, and NDR was thus nicknamed “the party of power”. It was also known as the party of the Oligarchs, the position previously identified with another political party, Democratic Choice of Russia. Two other parties were interested in cooperating with NDR after its foundation: parts of the Agrarian Party of Russia and Democratic Choice of Russia. Together their platform would promote “freedom, property, and legality”, and would favor such policies as reducing the state’s role in the economy, support for small businesses, privatization of agriculture, military cutbacks and sought “a normal life in Russia” and peace in Chechnya after the First Chechen War. However, after Chernomyrdin’s candidacy for a second term as Prime Minister was in 1998 rejected by the Duma, Our Home – Russia declined the other parties’ bid for cooperation.
Boris Yeltsin wanted to establish a two-party system in 1995 after the American model and advocated the establishment of a center-right and a left- centrist electoral blocs. Yeltsin’s aim was on the one hand to clip the extreme parties on the political fringe, even at the head of the Communist Party Gennady Zyuganov KPRF away from the power. On the other hand, Yeltsin wanted to create functional, loyal and non-ideological parties to consolidate its power and stability of the country.
Recently KPFA Radio DJ Doug Edwards and Gabrielle Wilson hosted a Tribute and Benefit for Khalil Shaheed on “Music of the World”. The event featured testimonials from many of the Nations and Bay Areas top Jazz personalities honoring Shaheed. During the program they aired for the first time the Public Service Announcements featuring the Prospect Sierra 8th Grade Students and their teacher Bert Kessler. Bert begins the PSA’s with an introduction of the students and their Community Service Project at KPFA arranged by Gabrielle Wilson and Associates with the Aaron & Margaret Wallace Foundation.
KPFA Aring Prospect Sierra 8th Grade Students PSA Promos
KPFA Aring Prospect Sierra 8th Grade Students PSA Promos
“BLACK AWARENESS DAY (BAD), BLACK EXPO”
BLACK AWARENESS DAY (BAD), BLACK EXPO known as BAD BLACK EXPO, is an EVENT- AN EXPERIENCE, A HAPPENING, drawing from the vast African diaspora- African and Caribbean countries to the USA, creates innovative experiences that harness the energy of the alternative, natural, organic Black movement and showcase the best brands of ALL progressive people of color, focuses on this influential community of minority people of all backgrounds gathers, speaking as a social enterprise through business, sports, and entertainment addressing ALL MAJOR issues affecting ALL people, civil rights, employment, economic justice, medical care, education, quality food and shelter, and law enforcement in undeserved Black and people of color communities.
BAD BLACK EXPO with Vitatoe, Jalil, Blackmon, Carlos, Robinson
In 1972 after Abdul-Jalil returned from living in Paris, France where he had the HONOR of having his portrait painted by Beauford Delaney, hailed as the most important African-American artists of the 20th century, Jalil founded BAD BLACK EXPO. It began as a two day event and grew into a five day explosion as the epicenter where total Community and entire Blackness converge, it is a curated destination of choice where OUR community gathers for a party with a purpose. BAD BLACK EXPO presents the nations ethnic minority leaders in EVERY major area of society, Superstar entertainers and athletes, creatives, and tastemakers who are seen as unwanted outsiders, but who successfully fought and directly affected American and World societal culture at large. It’s not easy living in a world where Black culture is constantly exploited, abused, appropriated and commodified without credit. BAD BLACK EXPO collectively defines and develops a universe for OUR Boldness and OUR Blackness of OUR OWN creations designed by US, for US, inspiring and bringing us together for quite THE party.
While progressive in EVERY way, BAD BLACK EXPO has long been instrumental in bringing dollars to the Bay Area’s Black and people of color economic communities and creating a critical platform for Black and minority culture and support vendors featured annually at the event in the following ways:
1) To increase visibility and awareness of Black/Minority-owned companies/business;
Maze Featuring Frankie Beverly
2) To provide an organized platform for consumer interaction and education by business opportunities;
3) To encourage both inter and intra community commercial partnerships and industry alliances; and
4) To redirect the economic purchases of the Black communities in the US back into Black and people of color communities.
BAD BLACK EXPO was established to celebrate and preserve the culture of the alternative, natural, organic Black movements legacy and those of ALL progressive people of color by providing, advocating and promoting minority business expansion, artistic progression, community building and social change by bringing together everyone who loves the culture of the Black movement and those of ALL progressive people of color. BAD BLACK EXPO consists of a variety of culture-based commerce, sports and entertainment, legal, political, educational and social events, including live music performances, learn and play competitive sports clinics and activities, live product demos, celebrity lectures, literature, presentations, exhibitions, live theater, movie screenings, live art installations in a lawn gallery, extensive culinary demonstrations, lifestyle brands, fashion, photography, crafts, clothing, jewelry, exotic food vendors, children’s activities, history presentations, poetry/spoken word, African/Caribbean dance, celebrity panels, giveaways, holistic/natural health and wellness, and family friendly partying to build thriving urban communities in order to sustain future generations by mobilizing and educating urban masses through commercial business, entertainment, artistic, social impact campaigns and major BAD BLACK EXPO events.
BAD BLACK EXPO is an opportunity for ALL people to connect, engage with others, network, and learn about the Black movement and those of ALL progressive people of color as our community unleashes freedom of expression, and honor the power of individuality while strengthening the community paying homage to the Black community and those of ALL progressive people of color. Being able to unapologetically celebrate our culture while surrounded by other beautiful Black beings is an amazing feeling that you will experience at BLACK AWARENESS DAY, BLACK EXPO. Where you can unapologetically be yourself and celebrate our culture: the food we create and eat, the music we create and listen to, the movies we film and watch, our language, our dances, our art, our literature, our family structures and relations, our style, our fashion, our spirituality, our religions, and so much more.
BAD BLACK EXPO’s cultural aspect is integral to the entire USA and World’s cultural scene being rooted in shared experiences and traditional customs, Black culture brings forward a unique and diverse perspective of the nations heritage reflecting on it’s culture, history and traditions have it’s influence and impact over the collective drive of the world in EVERY different aspect of existence. BAD BLACK EXPO celebrates OUR roots, historical events and modern society through a wide range of cultural art forms where attendees experience a great variety of artifactual delicacies created by Black-owned companies, providing a unique experience with this alternative, natural, organic Black cultural event that showcases the positivity of the culture of the Black movement and those of ALL progressive people of color.
ALL Black and artists of color of ALL the arts deserve the same opportunities as their mainstream counterparts and our platform introduces and connects established entertainment and sports Superstars with performances from notable and emerging national talents in the industry as well as from talented rising newcomers from the Bay Area community. BAD BLACK EXPO presents of a wide range of live theater, film and television screenings, engaging panels, networking events, activities designed to educate, nurture career development, mentor and inspire attendees, and more. BAD BLACK EXPO attracts people from around the world, including artists, entertainment industry executives and upscale enthusiasts.
BAD BLACK EXPO is an “Immersive Economic Inclusion!”- that fire in your soul that implores you to vocalize and present your position and make a difference, empowered by your passion for Black excellence, entrepreneurial creativity and economic inclusion. All of that creative business energy comes together at BAD BLACK EXPO, where creative leaders will present speaker sessions and workshops questioning the status quo, financing, building and maintaining businesses, corporate relations with integrating and changing the business world for the better.
The Oakland Tribune
Frankie Beverly and Raw Soul performed at BABE
BAD BLACK EXPO is extremely important for students and entrepreneurs! We have students and entrepreneurs working us every day providing assistance to close the Black corporate business gap and the economic crises it creates is real and will continue unless there is MAJOR change. We support student who study business administration, science, technology, advertising, marketing, public policy and entrepreneurship with planning, Speakers and advisors on many outstanding topics from different perspectives of The State of Black Business, a national perspective from corporations, diversity inclusion speakers, government perspective of how to marketing to them and small business and entrepreneurship perspective point of views. Five days of education, inspiration, motivation, connections, networking, advertising/marketing/promotion/sales, individual conversations, seminars, and workshops, corporate, organizational and entrepreneur presentations and more.
SOME BAD BLACK EXPO HISTORICAL SUCCESS!
FRANKIE BEVERLY AND MAZE IN MARVIN GAYE BAD BLACK EXPO HISTORICAL SUCCESS!
Frankie Beverly and Marvin Gaye
Frankie Beverly and Raw Soul performed at the Orphanage before Marvin Gaye that lead to their union with the “Silky Soul Singer”! They also performed at the BAD BLACK EXPO and several other venues around the Bay Area booked by Abdul-Jalil and SUPERSTAR MANAGEMENT whom actually fed the group as they lived in their bus parked in various areas around Oakland and Berkeley in the 1971-75 era BEFORE they made it BIG!!!! Marvin took the group on the road with him as his opening acts and suggested that they change their name from Raw Soul, becoming Maze, then Maze featuring Frankie Beverly, then Frankie Beverly and Maze!
Maze’s seventh studio album, Silky Soul, was dedicated to the group’s mentor and musical guide, Marvin Gaye. The title track opens with a description of a “smooth”, “special” man who remains in the hearts and minds of those he sang to. Towards the end of the song, Frankie Beverly belts out, “I remember brother Marvin”, revealing in full who the album is dedicated to. The song also samples Marvin Gaye’s unprecedented sociopolitical smash hit “What’s Going On”.
By the time Silky Soul was released in 1989, Marvin had been dead for five years but his legacy was still very clearly alive and well in those that loved him and his music.
The Oakland Tribune
Dr. Khalid al-Monsour and Destiny perform at BABE
DR. KHALID AL-MANSOUR AND BAD BLACK EXPO HISTORICAL SUCCESS!
Al Waleed with Micheal Jackson
One of Abdul Jalil’s and Superstar Managements business associates since 1968 is Donald Warden with his law firm of Holmes & Warden.
Dr. Khalid Abdullah Tariq Al-Mansour formerly known as Donald Warden with Roger C. Holmes who later took the name Dr. Faissal Mohammed Fahad, was representing HRH Prince Alwaleed Bin Talal Bin Abdulazziz Al-Saud of Saudi Arabia in a court case in California. Al-Mansour became Special Advisor to HRH Prince Alwaleed
Abdul-Jalil introduced his client Hammer to Al-Monsour and Al-Waleed and arranged a week long event in Paris, France, for Al-Waleed at his Paris resort- Euro Disneyland Paris and its sister park, Walt Disney Studios. Abdul-Jalil also made the introduction of Al-Waleed’s son Prince Khaled bin Al-Waleed bin Talal, also known as Abu Jenna in the business world, a very successful businessman in his own right.
Prince Alwaleed (the world’s 19th riches person at the time), was a student at Menlo College in California, was asked by a Saudi friend to go home with him to Riyadh. His friend was a member of the Royal Family and was upset because OPEC was being sued. The Saudi King asked that Donald Warden/Al-Mansour “take the case” and they began legal representation defending OPEC in court.
President Barack Obama and Khalid Al-Monsour
Al-Mansour, as the “formal” attorney for OPEC, threatened an oil embargo by the OPEC nations in response to a lawsuit filed against them. The threat of reprisals also included withdrawal of funds on deposit with American banks. The antitrust lawsuit had been filed in December 1978 by the International Association of Machinists and Aerospace Workers in federal court in Los Angeles, and the decision was announced in September at 477 F.Supp. 553 (1979). It is fascinating to note that another attorney who wrote a brief on behalf of Indonesia-U.S. Business Committee of the Indonesian Chamber of Commerce and Industry was Antonin Scalia, then a professor at the University of Chicago, years before he was appointed to the Supreme Court in 1986. He won the OPEC case and was Cited by Federal Judge Andrew Hauk for the Clarence Darrow Award as lead attorney in the famous IAM vs. OPEC trial (1978).
The Prince asked Al-Mansour to accompany him to Africa to help him invest money there to “build Africa up”. Al-Mansour knew many of the Presidents in Africa and made the introductions to the Prince. They then founded the international law firm of Al-Waleed, Al-Talal and Al-Mansour.
PRESIDENT BARACK OBAMA, AL-MANSOUR, AL-WALEED AND BABE HISTORICAL SUCCESSES!
Khalid al-Mansour and Prince Al-Waleed raising of President Barak Obama
Al-Mansour took an interest in Barak Obama when they met up during one of Al-Mansur’s speeches at Columbia. As Percy Sutton told NY1 reporter Dominic Carter on the show “Inside City Hall”: “I was introduced to (Obama) by a friend who was raising money for him.” He asked Sutton to write a letter in support of Obama’s application to Harvard Law School.
Attorney, Civil Rights leader, owner of InnerCity Broadcasting, Apollo Theater, Percy Sutton
“The friend’s name is Dr. Khalid al-Mansour, from Texas,” Sutton said. “He is the principal adviser to one of the world’s richest men. He told me about Obama.”
Sutton recalled that al-Mansour said that “there is a young man that has applied to Harvard. I know that you have a few friends up there because you used to go up there to speak. Would you please write a letter in support of him?” Sutton did.
Sutton revealed that it was Al-Mansour (from San Antonio, Texas) who raised the money to pay for Obama’s education at Harvard when Obama was 25 years old.
So, Obama graduated from Columbia University in New York, spent a time as a community organizer in Chicago under Kellman … met Al-Mansour and headed off to Harvard. He arrived unknown, but left with having had national news media exposure, a book contract… and, having been the Editor of the Law Review on his resumé. He graduated Magnum Cum Laude.
One of Obama’s patron was Alwaleed bin-Talal, the world’s fourth richest men. Shortly before Obama entered Harvard Law, bin-Talal donated $20 million dollars to Harvard. Five or six years later bin-Talal created the “Alwaleed bin-Talal Center for Islamic Studies” at Harvard Divinity School, its best-funded division. At about the same time bin-Talal opened similar centers at Georgetown, Cambridge, American University, and many other major Universities.
Hammer and Michael Jackson
September 19, 1995, 34 year-old Barack Obama announced his candidacy for Illinois’s State Senate. One of his opponents was first-time candidate Gha-is Askia.
During his campaign, Abdul-Jalil consulted Askia and his client, M. C. Hammer supported a community event Askia sponsored while doing a series of TV/radio/media appearances in Chicago for his album promotion tour.
Obama had been a grassroots organizer in this gritty neighborhood, registering thousands to vote before going off to Harvard Law School. He came back to Chicago, to work as a lawyer. And saw a chance to run for state Senate. But in his first race for office he made sure Democratic voters had just one choice. Him.
ALL Obama’s opponents were kicked off that ballot before a single vote was cast. How? Obama sent a team of lawyers and volunteers to the Chicago Board of Elections, and challenged the petitions of his opponents. You needed 757 signatures of registered voters to become a candidate. Askia gathered 1,999. But when the Obama team was through challenging his signatures, addresses and voter registrations, Askia came up 69 signatures short. THE REST, AS THEY SAY, IS HISTORY!!
The Sports Image Awards Honoring Muhammad Ali, Venus Williams, Carl Lewis, Steve Young, Al Attles, Dave Stewart, Peter Westbrook
Abdul-Jalil a 1995 Sports Image Awards Sponsors
Abdul-Jalil and Askia partnered to bring Muhammad Ali and his wife Lonnie to San Francisco on November 5, 1995 for “The Sports Image Awards”, an event Abdul-Jalil Sponsored, to Honor Ali with the “Lifetime Achievement Award”.
The Sports Image Awards- A Night to Remember!, sought to single out and honor those in sports who have dedicated effort, time and money to better their community, the nation, and the World. Those honored, we feel, are a part of a long line of athletes that back to the great Paul Robeson, who matched dignity with dollars. Those who use sports for it’s highest and most noble purpose, the uplifting of the Human Family.
Also being honored were Venus Williams, Carl Lewis, Steve Young, Al Attles, Dave Stewart, Peter Westbrook. Hammer was the Featured Entertainer. The program included Founder- Martin Wyatt, Master of Ceremonies- Mark Curry, Music Director- Narada Michael Walden, Recording Artist- Color Me Badd, Touch of Class Choir, Clarence Clemmons, Nikita Germaine. Lisa DeBartolo- 49er Foundation and Dennis Banks presented and received Special Presentations.
The Oakland Tribune
DESTINY AND MARVIN GAYE BABE HISTORICAL SUCCESS!
Marvin Gaye-Distant Lover Live
“Destiny” performed before Marvin Gaye that lead to their union with the “Silky Soul Singer”! They also performed at the BLACK EXPO and several other venues around the Bay Area booked by Abdul-Jalil and SUPERSTAR MANAGEMENT! Marvin took the group on the road with him as his opening act and background signers!
Their 1974 live version of “Distant Lover” recorded Live in Oakland, has been regarded as the greatest live performances of all time!
Lead vocals by Marvin Gaye
Background vocals by Eric Dolen, Charles Burns, Dwight Owens, Michael Torrance & Wally Cox
Instrumentation:
Ed Green: drums
James Jamerson: bass
David T. Walker: guitar
Ray Parker: guitar
Joe Sample: keyboard
John Arnold: percussion
Joe Clayton: congas
Paul Hubinon: trumpet
George Bonhanon: trombone
Ernie Watts: sax
William Green: sax
James Getzoff: violin
Jack Shulman: violin
Arranged by Gene Page
Produced by Marvin Gaye
“Distant Lover (live)”
Single by Marvin Gaye
from the album Marvin Gaye Live!
Released
June 28, 1974
Recorded
January 4, 1974
Oakland Coliseum
(Oakland, California)
PLEDGEES SUPPORT AND PARTICIPATION:
George Johnson- NBA, Vida Blue- Oakland A’s, Kareem Abdul-Jabbar, Syreeta Wright (Mrs. Stevie Wonder), Recording Artist “RIOT” , Abbey Lincoln-Actress , Pam Grier-Actress , Brenda Sykes-Actress,Isaac Curtis-NFL Rookie of the Year, Cincinnati Bengals, All Pro; Sherman White-Cincinnati-All Pro; Abdul Fakir-Four Tops, Ron Dellums-Congressman, IBM, Bob Jones, Bernie McCain-KDIA, Oakland Chamber of Commerce, Curt Aller, Mike White- Jazz, Woody Shaw-Jazz, Anthony Braxton- Jazz, Joesph Jarman- Jazz, Les McCann- Jazz, Eddie Harris- Jazz, Pharoah Sanders- Jazz, Owen Marshal and the Artist from the Black Jazz Label, Gene Russell- Recording Artist, Merl Saunders, Tower Of Power, Malo, John Lee Hooker, Bloodstone, Ornette Coleman, Carlos Santana, Sylvester, Sly and the Family Stone, David Rubinson, Pete Escovedo, Edwin Hawkins, Gospel Hummingbirds, Graham Central Station, Joe Simon, Eddie Kendricks, David Ruffin, New Birth, Sly and the Family Stone, Bill Withers, Curtis Mayfield, Donny Hathaway, William DeVaughn, Minnie Ripperton January, Maurice WhiteEarth, Wind & Fire June,Betty Davis, Walter Hawkins, The Whispers, Eugene White ; Frankie Beverly and Raw Soul, Destiny- Marvin Gaye Touring/Recording Artist, “THE SUPER SNAPS”- Recording Artist, “THE VARIATIONS”-Recording Artist, “PEOPLES’ PEOPLE”-Recording Artist, Jimmy McCracklin, Sugar Pie DeSanto, Harvey Fuqua, Wally Cox, Lucius Allen- Milwaukee Bucks, Bill Walton, Keith Wilkes, BART, Leon Coleman- Olympian, Ed Caruthers- Olympian, Otis Burrell- Olympian, Norm Thompson NFL, Leon Burns- NFL, Roy Shivers- NFL, George Atkinson- NFL, MacArthur Lane- NFL, Mel Gray- NFL, Ahmad Rashad- NFL, Dave Cowens- Boston Celtics, Jack Ramsay- Portland Trailblazers Coach, Al Attles- Warriors Coach, Joe Roberts- Warriors Coach, Bill Russell- Coach, Bob Hopkins- NBA Coach, Zaid Abdul-Azziz- NBA, Charles Lowery- NBA; Russell Lee- NBA, Terry Metcalf- NFL, The Pointer Sisters, Chaka Khan, The Hues Corporation, Billy Preston, Curtis Mayfield, Fred Williamson, Jim Brown, Bloodstone, L. A. Young Hearts, Tavares, Chicago Art Ensemble, Sun Ra, Tony King, Marvin Robinson, Don L. Lewis of KRE, Dennis Richmond-KTVU, Ben Tapscott- Man-of-the-year, Head Basketball and Track Coach, Charlie Scott- Phoenix Sons, Spencer Haywood-Seattle Supersonics, Eddie Hart-Olympic Champion, Tommie Smith- Olympic Champion, John Carlos- Olympic Champion, Dave Smith- Olympian and American Triple Jump Record Holder, Erv Hunt- UCB/Head Track Coach, Mayor of Richmond Booker Anderson, Arthur Ashe, United Negro College Fund, Recording Artist “Variations”, Ashley Smith, Julian Bond-Congressman, Councilmember D’Army Bailey, Don Warden, Mahdi Abdul Rahman- Seattle Supersonics, Flynn Robinson- San Diego Conquistadores, Curtis Rowe- Detroit Pistons, Sydney Wicks- All Pro Portland Trailblazers, Al Ross, Larry Livers- Track, John Caldwell-KSOL, Jay Sweet-KDIA, Angela Davis, Bobby Seale, Odis Allison- NBA, Linda Fontenette, Jeffery Osborn- LTD, THE BLACK EXPO COMMITTEE, Don L. Lewis- K.R.E, Eddie Neals, Joseph Roberts- Warriors, “THE RISING SIGNS”, “THE SUPER SNAPS”, “THE VARIATIONS”, “PEOPLES’ PEOPLE”, H’S LORDSHIPS ON THE BERKELEY MARINA, Marvin Robinson, Marvin Blackmon
Beauford Delaney (1901-1979) “Portraitist of the Famous”
“Perhaps I should say, flatly, what I believe–that he is a great painter, among the very greatest; but I do know that great art can only be created out of love, and that no greater lover has ever held a brush.”
James Baldwin (1924-1987), writer,
friend of artist Beauford Delaney
Abdul-Jalil al-Hakim, c.1971oil on canvas
Abdul-Jalil al-Hakim, c.1971
In 1971 Abdul-Jalil had the HONOR of having his portrait painted by Beauford Delaney, hailed as the most important African-American artists of the 20th century, whose life appeared to symbolize the mythical artistic existence of privation and relative obscurity, that show a retrospective of “uninhibited colorist (though never an unintelligent one)” that is “apotheosized” and whose talent and “free, open and outgoing nature” engendered admiration from everyone whom was fortunate enough to encounter him as he was THE darling of the international culture scene in New York and Paris. James Baldwin called him his “spiritual father.”
Remembering THE Greatest artists of the 20th century, the ‘amazing and invariable’ Beauford Delaney, the “Portraitist of the Famous”, who’s masterpieces are trumpeted as cutting-edge work in Black aesthetics, stylistic evolution from representation to pure abstraction, with new and radical theories with his techniques and expression of the politics of Black arts, affording him his very own, singular serious stature among abstract expressionists, transforming the critical landscape into a growing interest in his creation of “Black Abstraction”!
For more than a decade, Delaney showed compelling, vibrant images of energetic life: produced engaging abstract works, portraits, landscapes, and abstractions celebrated for their brilliance and technical complexity with his dramatic stylistic shift from figurative compositions of life to abstract expressionist studies of color and light, powerful works of art and culture, illuminate some of Delaney’s most innovative years and firmly place his work among the dominant art movements of the day.
James Baldwin and Beauford Delaney walking in Harlem
The fascinating Beauford Delaney is a Modern artist who produced engaging portraits, landscapes, and abstractions celebrated for their brilliance and technical complexity with his dramatic stylistic shift from figurative compositions of New York life to abstract expressionist studies of color and light following his move to Paris in 1953, illuminate some of Delaney’s most innovative years and firmly place his work among the dominant art movements of the day!
The career of Beauford Delaney (1901-79) was mainly working with Expressionism, Harlem Renaissance who’s first exhibition was New Names In American Art: Recent Contributions To Painting And Sculpture By Negro Artists at The Renaissance Society in Chicago, IL in 1944, and the most recent exhibition was Art Basel Miami Beach 2020 – online viewing only at Art Basel Miami Beach in Miami Beach, FL in 2020. Beauford Delaney is mostly exhibited in United States, but also had exhibitions in Germany, United Kingdom and elsewhere. Delaney has 10 solo shows and 79 group shows over the last 76 years (for more information, see biography). Delaney has also been in 7 art fairs but in no biennials. The most important show was Beauford Delaney: From New York to Paris at Philadelphia Museum of Art in Philadelphia, PA in 2005. Other important shows were at The Minneapolis Institute of Arts in Minneapolis, MN and The Studio Museum in Harlem in New York City, NY. Beauford Delaney has been exhibited with Norman Lewis and Romare Bearden. Beauford Delaney’s art is in 9 museum collections, at France at the Museum of Modern Art , École des Beaux-Arts, Whitney Museum of American Art in New York City, NY and The Art Institute of Chicago in Chicago, IL, featured in Jet and Playboy magazines among others.
Beauford Delaney is ranked among the Top 10 globally, and in United States. Delaney’s best rank was in 1944, the artist’s rank has improved over the last 5 years, with the most dramatic change in 1992.
His list of friends and acquaintances including artists, World Leaders, politicians, activist, authors/poets/writers, intellectuals, filmmakers, promoted by numerous patrons of the arts, world Cultural Ambassadors, art gallery owners, befriended by notable figures, and musicians Stuart Davis — his closest painter compatriot — W.E.B. Du Bois (whose portrait he painted), Salvadore Dalí (whose portrait he painted), Countee Cullen, Louis Armstrong (whose portrait he painted), Duke Ellington (whose portrait he painted), Ethel Waters (whose portraits he painted), W.C. Handy (whose portrait he painted), Henry Miller (who wrote a tribute to him), John F. Kennedy (whose portraits he painted), Robert Kennedy (whose portraits he painted), Jean-Claude Killy (whose portraits he painted), Herb Gentry, Alain Locke, Cy Twombly, Sterling Brown, Langston Hughes, Georgia O’Keeffe (who drew charcoal and pastel portraits of Delaney in 1943), Augusta Savage, Stuart Davis, John Marin, Pablo Picasso (whose portrait he painted), Richard A. Long (whose portrait he painted), John Koenig (whose portrait he painted), and Claude McKay were connected to Paris in various ways.
Josephine Baker- “Love Brotherhood Day”
Luminaries Josephine Baker, Bob Blackburn, Ed Clark, Bob Thompson, Marian Anderson (whose portrait he painted), Jacob Lawrence, Ella Fitzgerald (whose portrait he painted), Zora Neale Hurston, Alfred Stieglitz, Carl Van Vechten, Edward Steichen, Dorothy Norman, Anaïs Nin, art studio owner Charles Alston, Jackson Pollock, Vassili Pikoula, Henri Chahine (whose portrait he painted), Charlie Parker (whose portrait and music he painted.), James Jones, Jean Genet, Lawrence Calcagno, Cab Calloway, Elaine DeKooning, Palmer C. Hayden (whose portrait he painted), art dealer Darthea Speyer (whose portrait he painted) who had exhibitions of Delaney’s art at Paris’ Galerie Lambert in 1964. Others include artists Charles Boggs, Al Hirschfeld, John Franklin Koenig, Harold Cousins, Herbert Gentry (whose portrait he painted), Ed Clark, and Ellis Wilson, authors James Jones and Henry Miller (who was also a water colorist), Writers Richard Wright, Surrealist poet Stanislas Rodanski, Chester Himes, Ralph Ellison, William Gardner Smith, Richard Gibson, Lorraine Hansberry, Ted Joans, art historian Richard A. Long, and his friend Lynn Stone.
The Stanford Jazz Workshop will be honoring Jazz Legend Khalil Shaheed with a Tribute and FUNraiser at his performance at the Festival on July 19, 2010 at 7:30 pm. Khalil will be honored by the U. S. Congress, State of California, City of Oakland, and Masjidul Waritheen.
Khalil will perform at the Festival with his group “Mo’Rockin Project” Featuring: Bouchaib Abdelhadi, vocals/dembek; Yassir Chadly- Imam at Masjid al-Iman Oakland, vocals/gembre/oud; Richard Howell, saxophone; Khalil Shaheed, trumpet; Glen Pearson, piano; Ron Belcher, bass; Deszon Claiborne, drums.
The event is being arranged by Gabrielle Wilson and Associates with the Aaron & Margaret Wallace Foundation where recently KPFA Host Doug Edwards and Ms. Wilson hosted Khalil Shaheed on “Music of the World”.Khalil directs the Oaktown Jazz Workshop two afternoons a week, runs the instrumental music program at Allen Temple Baptist Church in Oakland, serves as an artist-in-residence at the Oakland School of Music, and rehearsing and performing with three ensembles: the Khalil Shaheed Quartet (often including his daughter, Savannah Harris, 16, on drums), the jazz-meets-Moroccan music group cleverly named Mo’Rockin Project, and Redwood Brass, a four-trumpet, one-trombone quintet that mixes jazz and classical music.
The first time Bay Area trumpet master Khalil Shaheed listened to cassettes of North African melodies given to him by Moroccan singer and multi-instrumentalist Yassir Chadly, he had a sudden insight: “They ain’t playin’ nothin’ but the blues!” This revelation showed Shaheed the common ground that his own roots in jazz and blues shared with the soulful, ancient musical traditions of North Africa.
No matter where it comes from, great music can fortify the soul and bring people together. In the Mo’Rockin’ Project, a septet co-led by Shaheed and Chadly, the excitement of a funky horn section and heartfelt jazz improvisation unite with the sublime sounds of Islamic devotional music and traditional Arabic and African instruments. The result is a remarkable fusion that captures the essence of two cultures and delivers the best of both worlds, conjuring up “how Marvin Gaye might have sounded fronting Abdullah Ibrahim’s band” according to East Bay Express.
Without being overtly political, the energetic, funky music they create dispels misconceptions about American and Islamic traditions, and exemplifies the beauty that can be created when two cultures come together in the spirit of celebration, communication, and love. Describing the Mo’Rockin’ Project’s sound, bluesman Taj Mahal said it best: “There isn’t a vehicle made by man on Earth or space that can give you this beautiful a ride!
Alvin “Junior” Moore vs Atlanta Braves- One Special Case
Free Agents Draft
One Special Case
NEW YORK (AP) There were three major classifications in today’s free agent baseball draft option playouts, six-year veterans and certain minor leaguers whose eligibility depended on contract assignment during the 1977 season.
And then, there was Junior Moore.
Moore, who batted .268 in his rookie season with the Atlanta Braves in 1977, was in a category by himself, just as available as all of the big name free agents even though he did not fit into any of the three conventional lists.
That was because of a unique clause written into Moore’s contract with the Braves that permitted him to leave at the end of the season.
When National League President Chub Feeney first saw Moore’s contract and its special freedom clause, he rejected it. But subsequent arbitration upheld the pact and it was finally formally approved in August.
The agreement, negotiated by Moore’s agent, Abdul Jalil of Superstar Management, was included in the third-baseman’s contract, giving him an escape route if he was dissatisfied with his playing time. Moore played in 111 games and went to bat 361 times.
After the season, he decided to exercise the unique contract clause and declare for free agency. He is by himself in a category labeled: “Agreement Between Player and Club.”
Moore was unlikely to attract the kind of big-money offers waiting for some of the other free agents in today’s auction. There were anticipated price tags of between $1.5 and $2 million for hitters like Richie Zisk, Lyman Bostock.
In baseball
Braves’ rookie has sharp agent
By Milton Richman
UPI Sports Editor
NEW YORK A couple of nights ago, Phil Niekro, Atlanta’s tough luck pitcher and elder statesman, was watching Junior Moore hit and could hardly take his eyes off him. He was fascinated.
When he had the chance, Niekro went over to the Braves’ rookie third baseman and said to him, “there’s no pitcher in the league that can throw the ball by you, as quick as your bat is.”
Moore, hitting .329 for Atlanta right now, the same as he did last year for Richmond in the International League, is represented by an agent who is pretty quick upstairs, too. His name is Abdul Jalil, and at 26 he’s only three years older than Moore, but he already has some pretty impressive credentials.
Jalil holds a master’s degree in business administration from Stanford along with another business degree from the University of California where he not only graduated with honors but completed the four year course in two years. His *182 (146) I.Q. qualifies him as “near genius,” and he had to be one to think up the kind of contract he got Moore with the Braves.
Keep in mind Moore is only a rookie, yet here are the terms of the contract Jalil put together for him:
-The Braves were to pay Moore $75,000 this season. That was only his salary.
-They also were to pay him a $50,000 bonus and provide him with an additional $50,000 interest-free loan.
That’s not bad for openers, but wait, there’s more coming.
The imaginative, foresighted Jalil saw to it that three other clauses were written into the Atlanta contract of Alvin “Junior” Moore. The first one gave Moore the option of becoming a free agent simply by notifying the Braves of his intention, which works out to be the same as anytime he choses. Under the present Basic Agreement between the players and the owners, a player becomes a free agent the second year only after he plays for a team without signing a contract the previous year.
Another clause allowed Moore to veto any trade the Braves might involve him in, and still a third clause gave him the option of choosing the team he wished to be traded to.
What club owner in the world would ever sign a rookie to a contract like that?
Ted Turner, the Braves’ owner, would. Not only would he, he did last
March 14.
Moore’s contract still had to be filed with the National League office and on April 28, Chub Feeney, the National League President, wrote a letter about it to Bill Lucas, the Braves’ Director of Player Personnel.
The letter said:
“Specific covenants contained in Alvin Moore’s contract are disapproved because it (the contract) contains provisions inconsistent with the reserve system article of the new Basic Agreement.
Please be sure the player receives a copy of this letter.”
Jalil sees nothing wrong with the contract the way it was originally written.
“Ted Turner signed it, and so did Junior,” he says. “The contract does not violate any law. What’s happening now reminds me of what happened to Jim Thorpe. Once he was awarded those medals, how could they take them away from him?
“All I want is protection for my ballplayer and a contract providing him with maximum flexibility. Feeney contends Junior Moore’s contract, in essence, bargains away the rights won by management in the Basic Agreement. Our contention is that the Basic Agreement only contains the player’s minimum rights, not his maximum rights.”
Next step is a grievance procedure. The Players’ Association has been apprised of Feeney’s disapproval and already has asked for a hearing.
Jalil contends Feeney’s action automatically made Moore a free agent, and if he’s right, it will move the present baseball contracts another step toward obsolescence. Pretty soon, there won’t be any contracts at all. Why bother signing them when they’re non-binding?
Junior Moore? All he wants to do is play baseball. He gives practically all the money he makes to his mother, but saves some for his car. Originally it was a 1965 Chevrolet Biscayne, and it was so banged up and rotted out, he picked it up for $50.
Moore has put a lot of work into it, remodeling it completely with Cadillac El Dorado and Mark IV parts. The car now can accommodate 12 persons and gets 30 miles to the gallon. Moore already has turned down a $2,000 offer for it. The new paint job he gave it catches everybody’s eye. He calls it “money green.”
★ ★★
Alvin Moore vs Atlanta Braves
Major League Baseball Arbitration Proceeding
MLB-MLBPA Arb. 77-18 (1977)
Facts
Alvin Moore (plaintiff) signed a one-year contract with the Atlanta Braves. The contract contained a clause that said if Moore was not satisfied with his playing time, the Braves were required to trade him to a team approved by Moore. The covenant also stated that if a trade were not completed by the end of the season, Moore was allowed to become a free agent if he so chose. At the time, Moore had less than one year of service in Major League Baseball (MLB). The league president (defendant) disapproved of this covenant. The president believed that the covenant was inconsistent with the collective-bargaining agreement agreed to by the league and the players’ union. This agreement required players to have a minimum of five years of service in MLB before they could become eligible for free agency. The players’ union filed a grievance on Moore’s behalf. The union cited the collective-bargaining agreement’s clause permitting special covenants that benefit players. The union maintained that the president could disapprove of a special covenant only if the covenant did not benefit the player. The league countered that this covenant effectively created an entirely new reserve system, contrary to what the league and players had previously agreed to. According to the league, the reserve system created by the collective-bargaining agreement was created to provide for an even and equitable distribution of players among all of the teams. Additionally, the collective-bargaining agreement contained a free agent re-entry procedure. By giving Moore the ability to determine his own free agency, the league argued, the covenant contravened the agreed-upon system. The league contended that a covenant that violated the collective-bargaining agreement and the rights of the other 25 MLB teams could not be permitted to stand simply because it benefited a player. The issue was brought before an arbitrator.
PRESS ROW
Jerry Gandy- Richmond Independent: Press Row on Jr. Moore
Historic contract for Moore
-Jerry Gandy
RICHMOND’S ALVIN (JUNIOR) Moore suddenly finds himself the center of attention at the Atlanta Braves’ Orlando, Fla., spring training base, and neither his bat nor his glove directly is responsible for the spotlight. The historic contract Moore signed Monday has baseball writers from coast to coast wondering if Ted Turner is undermining his own franchise.
The rookie third baseman has made one of those “play me or trade me” demands, and the Braves have agreed to it in writing, giving Junior a nice bonus in the process.
According to Moore, he is to be the judge of whether he gets enough playing time. If he feels that he isn’t seeing enough action, he can demand a trade to another club, and he has final approval of the transaction. If such a trade can’t be made, the former Kennedy High School athlete will become a free agent.
MOORE ISN’T CONCERNED over the impact that his landmark contract could have on baseball. “All I’m thinking about is that I’m pleased with the contract,” reported Moore over the telephone from Orlando. “I love baseball and I want to play. I have two options left, and I don’t want to be sent down again.”
The 24-year-old infielder, who has put in six minor league seasons in the Atlanta chain, has batted safely in each of the six Grapefruit League contests in which he has appeared. Jerry Royster is the Atlanta third baseman, but Moore reports that the veteran might be shifted to compete with Darrel Chaney at shortstop.
“I think I’m an every day player,” commented Moore, indicating that his patience might be tested by a lot of time in the dugout. “If the guy ahead of me is having a good year, I think I’ll be patient. Hopefully I’ll play my way into the lineup or somebody else will play his way out.”
If Moore were to exercise the trade clause in his contract, he would be looking for a club in need of a third baseman, rather than a specific team. He wouldn’t wind up in the Bay Area under any circumstances.
“I WOULDN’T WANT to play in San Francisco or Oakland,” Moore disclosed. “I want to stay away from home. I wouldn’t be able to get any rest. I want to concentrate on playing baseball, not visiting with friends. It’s not that I don’t enjoy their company, but I would want to have time to myself.”
Moore is confident that he will be a productive player with the Braves this season. The 5-11 190-pounder also played second and the outfield in the minors, but wants to concentrate on third base in the majors. He doesn’t care to be a utility player.
I don’t want to be a jack of all trades and master of none,” Moore remarked.
PLAYING TRIPLE-A ball at Richmond, Va., last season, Moore was a leftfielder in 85 games, put in eight contests at second and filled in at third in just five. He had a .329 batting average and was a unanimous all-star outfield choice, but didn’t play in the game because he was called up to the parent club Aug. 2.
He collected seven hits in 26 at-bats for the Braves while appearing in 20 games.
Alvin Jr. Moore Atlanta Braves Rookie Card
“The biggest difference in the major leagues, besides the better ballparks and superior lighting,” he observed, “is that the pitchers can throw the ball where they want it. You see pitchers, not throwers, in the National League. A pitcher’s arm probably is as strong as it’s going to get by the time he’s 20, but the major leaguers have better control.”
MOORE’S MINOR LEAGUE credentials were impeccable, except for an experimental period when the organization attempted to change him into a pull hitter. He was an all-star selection in his first two seasons in pro ball, 1971 when he batted .310 in the Appalachian League at Wytheville, Va., and 1972, when he batted .300 in the Western Carolina. League at Greenwood, S.C.
“I had my worst year when they changed my stance to try to make me a power hitter in 1973,” recalled Moore of his experience at Savannah, Ga., when he batted .229. “I hit 11 home runs, but my average suffered.”
He raised his average to .259 the next season at Savannah, when he went back to his former stance and still managed nine homers. Moore had played second in 1973 and was shifted back to third in ’74 since management attributed the dip in his batting average to lack of confidence at a new position. “I never lost my confidence,” he stressed. “I couldn’t figure out why they were trying to make a power hitter out of me.”
MOORE RETURNED TO all-star status in 1975 while playing second base at Richmond, where he batted .300 with 14 home runs and five triples. He led his club with 13 game-winning hits and added another with his second single in the All-Stars’ win over the Pittsburgh Pirates.
Batting averages are something Moore reads about in the off-season. He insists that he doesn’t keep tabs on his batting stats during the season. He’s more interested in getting good wood on the ball than counting his number of hits.
“I see some players writing down their statistics and doing arithmetic every night,” he explained. “When their averages go down, they start pressing at the plate. I don’t let myself get wrapped up in that stuff. I see some of those guys getting strung out over their batting averages. I feel I’ve accomplished something if I make good contact at the plate. I call that the point of action. I’m satisfied when I hit the ball hard enough to cause an error.”
★ ★★
Richmond Independent
ABDUL JALIL, WHO negotiated that historic contract with the Atlanta Braves for Richmond’s Junior Moore last Monday, reports that general manager Bill Lucas has offered no comments, but Marvin Miller of the Players Assn. was stunned by what he was able to obtain for the infielder.
“Miller told me that the contract has done as much for baseball as anything in the basic agreement just signed by the Players Assn. and the owners,” reports the former Cal track athlete turned sports agent.
The contract— which gives Moore the right to demand a trade of his choice or free agent status if a transaction can’t be made, if he becomes dissatisfied over the amount of his playing time— will be the subject of articles in The Sporting News and Baseball Digest, according to Jalil.
★ ★★
BENCH STRENGTH: A major league baseball player who languishes on the bench not longer has to sit and take it, according to Abdul Jalil (former Cal trackman Randy Wallace), who runs Super Star Management in Oakland.
One of Jalil’s clients, third baseman Alvin “Junior” Moore of Richmond, has signed an Atlanta Braves’ contract which may be unique.
“If Moore is dissatisfied with his playing time,” said Jalil, “it’s in his contract that he can submit a letter to the Braves, who then must initiate a trade to the team of Moore’s choice, which can only be consummated with his consent. If there is no trade by the end of the season, the contract is voided and he becomes a free agent.”
Who said baseball still is in the hands of its owners?
★ ★★
Alvin “Junior” Moore played five seasons in the major leagues with the Atlanta Braves and Chicago White Sox. He is listed as the regular third baseman with the Braves in 1977. Moore hit for a decent .264 batting average in the big leagues, although he had little power and didn’t steal many bases.
Moore was born in Waskom, TX and attended high school in Richmond, CA. Drafted in the 11th round of the 1971 Amateur Draft, he was in the minors with the Braves organization from 1971 to 1976, several times hitting .300+. His first shot at the majors was in August of 1976, and he stayed up all of 1977 with the Braves. After the season he became a free agent and signed with the White Sox. Moore was in the minors for part of 1978 but not in 1979. In 1980 he was again in the minors part of the year for his last season there. Then he spent five years playing in Mexico.
Under his given name of Alvin Moore, Junior Moore later coached college baseball at both Patten University in Oakland, CA and Bethany College in Scotts Valley, CA. Moore was also a very popular player and manager in the Mexican minor leagues after completing his big league career.
The Stanford Jazz Workshop will be honoring Jazz Legend Khalil Shaheed with a Tribute and FUNraiser at his performance at the Festival on July 19, 2010 at 7:30 pm. Khalil will be honored by the U. S. Congress, State of California, City of Oakland, and Masjidul Waritheen.
Khalil will perform at the Festival with his group “Mo’Rockin Project” Featuring: Bouchaib Abdelhadi, vocals/dembek; Yassir Chadly- Imam at Masjid al-Iman Oakland, vocals/gembre/oud; Richard Howell, saxophone; Khalil Shaheed, trumpet; Glen Pearson, piano; Ron Belcher, bass; Deszon Claiborne, drums.
The event is being arranged by Gabrielle Wilson and Associates with the Aaron & Margaret Wallace Foundation where recently KPFA Host Doug Edwards and Ms. Wilson hosted Khalil Shaheed on “Music of the World”.Khalil directs the Oaktown Jazz Workshop two afternoons a week, runs the instrumental music program at Allen Temple Baptist Church in Oakland, serves as an artist-in-residence at the Oakland School of Music, and rehearsing and performing with three ensembles: the Khalil Shaheed Quartet (often including his daughter, Savannah Harris, 16, on drums), the jazz-meets-Moroccan music group cleverly named Mo’Rockin Project, and Redwood Brass, a four-trumpet, one-trombone quintet that mixes jazz and classical music.
The first time Bay Area trumpet master Khalil Shaheed listened to cassettes of North African melodies given to him by Moroccan singer and multi-instrumentalist Yassir Chadly, he had a sudden insight: “They ain’t playin’ nothin’ but the blues!” This revelation showed Shaheed the common ground that his own roots in jazz and blues shared with the soulful, ancient musical traditions of North Africa.
No matter where it comes from, great music can fortify the soul and bring people together. In the Mo’Rockin’ Project, a septet co-led by Shaheed and Chadly, the excitement of a funky horn section and heartfelt jazz improvisation unite with the sublime sounds of Islamic devotional music and traditional Arabic and African instruments. The result is a remarkable fusion that captures the essence of two cultures and delivers the best of both worlds, conjuring up “how Marvin Gaye might have sounded fronting Abdullah Ibrahim’s band” according to East Bay Express.
Without being overtly political, the energetic, funky music they create dispels misconceptions about American and Islamic traditions, and exemplifies the beauty that can be created when two cultures come together in the spirit of celebration, communication, and love. Describing the Mo’Rockin’ Project’s sound, bluesman Taj Mahal said it best: “There isn’t a vehicle made by man on Earth or space that can give you this beautiful a ride!”