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SUPERSTAR MANAGEMENT
7633 Sunkist Drive, Oakland CA 94605-3032 (510) 394-4501, Fax (510) 638-8889 http://www.Superstarmanagement.com http://www.Ex-Why.com BLOG: http://superstarmanagement.wordpress.com Abdul-Jalil’s Profile Ziggs Profile of Abdul-Jalil Linked In Profile on Abdul-Jalil Abdul-Jalil on Twitter Abdul-Jalil on FaceBook AIM, Video Chat Screen Name: jalil@superstarmanagement.com Skype Video Chat Screen Contact Name: Superstarmanagement Portrait of Abdul-Jalil by Artist Buford Delaney in Paris, France Articles on Abdul-Jalil: The Man Who Turns Hits Into Million$, One Special Case, ESPN Bostock 5th & Jackson TV Special Part 1, and Part 2, ESPN Bostock Magazine Special, the “al-Hakim Tax Code Ruling”, Smart Agent, Busy Agent, Dellums for Mayor, Hip Hop’s Islamic Influence, 1979 National BALSA Conference, Oakland Police Officers Arrested for Computer Store Burglaries, Police Found Guilty in Burglaries, Police Officers Sentenced for Burglaries, Email Abdul-Jalil here
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Here are some casting opportunities for some High School Ballers and others. Go for it!
Abdul-Jalil 510.394.4501
High School Basketball 15 – 18 players as TV Extras and 18 & Over needed for Trauma NBC Television Series shooting in SF Area
This casting notice is for outreach purposes for a current project. Please forward if you know someone who fits this description. We are not accepting phone calls regarding this notice, so review thoroughly for details and submission instructions. Please do not reply; this is an unattended mailbox.
Beau Bonneau Casting is seeking High School Basketball 15 – 18 players to work as paid extras 1/18 on NBC’s TV series Trauma. Guys don’t have to be NBA bound, but real HS or basketball league players are preferred for basic know-how and authenticity purposes.
Scenes will shoot Mon. Jan, 18 on MLK on Treasure Island. Start time is unknown until the evening before so you must be available all day from morning into evening hours. Shoot days last up to 8hrs or sometimes longer. If player is under 18 years, 1 unpaid Parent or Guardian must be available to minor. Pay rate: $78.32 for up to 8hrs plus overtime if applicable = SF minimum wage $9.79/hr. Payment is made via check and typically mailed within 10 business days.
If 18 years old, no work permit is required. However if under 18, minors must have a current entertainment work permit or at least a stamped work permit application in order to work. If your child already has a current entertainment work permit please fax it to (415) 777-1994. If your child does not yet have a permit, we will send you information after receiving your submission.
Please submit the following information to projects@beaubonneaucasting.com ASAP: * Name, Age & Basketball 1/18 in subject line. Age is required if under 18. * Parent/Guardian contact name & number * Height, Weight * Ethnicity * Basketball bio, let us know if currently on a team or play in a league, positions played * 1 or 2 recent color photos
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They are also seeking AFTRA and Non Union Extras 18 years old and over for the NBC television series Trauma, a fast paced medical drama. Shooting will begin again in January for 3 additional episodes, expected to go through February 2010 in San Francisco.
Background roles include: Police Men and Women, EMTs, Paramedics, Firefighters, ER Nurses, Doctors, Techs & Interns, Patients, Drivers with Cars, and various Pedestrian type roles. Men and Women with emergency, medical, or police related work experience or training are encouraged to submit to help make response scenes look more authentic. Some uniformed extra roles may repeat. Some extra roles may be featured and selected from digital photos by production.
Important information
Hours/Rates: Television shoots typically last 10-12 hours or more. They often start very early in the morning, however exact start time is unknown until the evening before each shoot day. Saying you are available means All Day from very early morning to late evening, no conflicts! Non Union Extras are paid the SF min wage of $9.79/hr = $78.32 for 8 hours and overtime thereafter. AFTRA background are paid the scale rate. There is an additional payment of $35 if cast with vehicle. Rates are determined by Production, not Beau Bonneau Casting.
Employment Requirements: I-9s will be filled out on set. U.S. citizens must present a current U.S. Passport or two pieces of id: a valid Drivers License or state issued photo ID, with either your Social Security card or original birth certificate. Non U.S. citizens must have either a current Green Card or Permanent Resident Card with photo. Production will check your ID on location and if you do not have proper ID, you will be turned away.
How to submit:
Availability can be submitted online via Direct Cast Extras Roles if you are registered with Casting Networks aka www.sfcasting.com
OR
Photo and availability submissions can be dropped off, mailed in, or emailed to Trauma@beaubonneaucasting.com but you must include all of the following information:
* Full Name & available date(s) listed individually (in subject line if emailed) * Approximate Age (20s, 40s, 60s, etc) & Ethnicity * Cell phone and alternate number(s) * Availability: BE SPECIFIC! List the EXACT date(s) you are avail ALL DAY for the next couple weeks. Feel free to send email avail updates every 2 or 3 weeks. * Height, Weight, general clothing sizes and measurements * 2 recent, basic color photos: a close up & full standing view so we can see what you look like presently! No black and white or cropped photos. * Note emergency, police, or medical related work experience / training if applicable * If AFTRA, include a legible photocopy of your membership card with submission.
Submissions will be reviewed upon receipt and we will contact you right away if we might be able to use you or in order to send you work permit information.
Our Address: Beau Bonneau Casting, 84 1st Street, San Francisco, CA 94105. Make it ATTN: Trauma. Office hours are currently M-F 10am – 5pm if you choose to drop off your photo submission in person. Make sure your name, number etc on written on the back of each photo. If you fit an immediate need, we may ask to take your picture or potentially cast you on the spot. However this is not an open call; you must have photos to leave behind. Office hours may change and will be updated here. We have a mail slot in our door for after-hours submissions. Photos received will not be returned.
Phone calls to the Beau Bonneau Casting office will not be accepted, we are very busy. BBC staff will contact you to check your availability. Thank you,
Beau Bonneau Casting www.beaubonneaucasting.com
Posted via email from Superstar Management
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SUPERSTAR MANAGEMENT
7633 Sunkist Drive, Oakland CA 94605-3032
(510) 394-4501, Fax (510) 638-8889
http://www.Superstarmanagement.com
http://www.Ex-Why.com
BLOG: http://superstarmanagement.wordpress.com
Abdul-Jalil’s Profile
Ziggs Profile of Abdul-Jalil
Linked In Profile on Abdul-Jalil
Abdul-Jalil on Twitter
Abdul-Jalil on FaceBook
AIM, Video Chat Screen Name: jalil@superstarmanagement.com
Skype Video Chat Screen Contact Name: Superstarmanagement
Portrait of Abdul-Jalil by Artist Buford Delaney in Paris, France
Articles on Abdul-Jalil: The Man Who Turns Hits Into Million$, One Special Case, ESPN Bostock 5th & Jackson TV Special Part 1, and Part 2, ESPN Bostock Magazine Special, the “al-Hakim Tax Code Ruling”, Smart Agent, Busy Agent, Dellums for Mayor, Hip Hop’s Islamic Influence, 1979 National BALSA Conference, Oakland Police Officers Arrested for Computer Store Burglaries, Police Found Guilty in Burglaries, Police Officers Sentenced for Burglaries,
Email Abdul-Jalil here
***PLEASE NOTE***
Due to the large number of calls in these very trying times, we have changed our Corporate telecommunications to better serve those in need. To Contact:
Aaron & Margaret Wallace Foundation (510) 394-4101 for Free Food distribution; free clothing provisions; housing assistence; private High School and College/University admissions and scholarship educational opportunities; job traininig and placement; medical and social services.
Imam Jamil Film and Music Project (510) 394-4201
SuperStar Management (510) 394-4501
eX-whY AdVentures (510) 394-4601
NowTruth.Org (510) 394-4701
Thanks,
*******
We are offerring two pair of FREE Tickets each to see Queen Latifah November 3, 2009 and Ice Cube December 10, 2009 at The Regency Ballroom in San Francisco, CA for the 8:00 pm shows. The tickets will be awarded via our Twitter or Blog, so if you haven’t already, you should join us on:
Twitter at: http://twitter.com/xzwhy , http://twitter.com/ajalil or go to the
Blogs at: http://superstarmanagement.wordpress.com or http://NowTruth.Org/ and leave your request in the comments box with your email address.
Persona Tour
Queen Latifah
Date: Tue, Nov 3, 2009
Showtime: 8:00 PM
Days until show: 11
Doors open: 7:00 PM
www.queenlatifah.com
Queen Latifah: musician; television and film actress; a label president; an author and entrepreneur. Blessed with style and substance, Queen Latifah has blossomed into a one-woman entertainment conglomerate. Heralded by the press and the industry as a force to be reckoned with, Latifah has quite simply done it all and shows no sign of slowing down. Latifah has had amazing success in Hollywood in recent years, and became the first hip hop artist to be crowned with a star on the Hollywood Walk of Fame on January 4, 2006. She received rave reviews, an Oscar nomination for Best Supporting Actress, a Golden Globe nomination and a SAG Award nomination for her portrayal as Mama Morton in Miramax’s Chicago. Following Chicago, Latifah starred in Disney’s box office hit Bringing Down the House, on which she also acted as executive producer. In addition to music, film and television, Queen Latifah has also written a book on self-esteem entitled Ladies First: Revelations of a Strong Woman. Queen Latifah is diligent in her pursuit of excellence, as is evident by the awards she has received for her work in film and music. Her sincere concern for others is revealed by the generous amount of time and money that she donates to worthwhile charitable organizations. Every year, Queen Latifah serves as co-chairman for the Lancelot H. Owens Scholarship Foundation, Inc. Established by her mother, Rita Owens, to perpetuate the memory of a loving son and brother, the foundations provides scholarships to students who excel scholastically, but are limited in financial resources.
Ice Cube
Date: Thu, Dec 10, 2009
Showtime: 8:00 PM
Days until show: 48
Doors open: 7:00 PM
www.icecube.com
When rap exploded creatively and commercially in the late 1980s, Ice Cube was at the forefront of the expansion. As the lyrical brains behind N.W.A, the Los Angeles-based rapper instantly became a major player in the music game by leading a musical revolution with brutal, profane, politically-infused music that, for the first time in the genres history, sold millions of albums with N.W.As Straight Outta Compton. As a solo artist, Ice Cube became raps premier act with the release of the searing masterpieces AmeriKKKas Most Wanted and Death Certificate.
Now, after becoming Hollywoods most bankable actor thanks to his Barbershop and Friday franchises, Ice Cube returns to his first artistic love, rapping. Laugh Now, Cry Later, the multi-platinum, award-winning music icons first solo album in six years, simmers with celebration, as well as the rage, reflection and introspection that are the hallmarks of timeless music. I feel Laugh Now, Cry Later is the state of the world, of America, of urban America, of hip-hop, Ice Cube explains of his seventh solo album. It seems like everybody is playing and nobody’s worried about anything.
On the explosive Scott Storch (50 Cent, Dr. Dre, Beyonce) produced Why We Thugs, Ice Cube blasts an oppressive system that cripples Americas ghettos and fosters the perpetual ruin of such areas as South Central, Compton and Long Beach, Los Angeles metropolitan areas that have been war zones for decades.
Now, with the impending release of Laugh Now, Cry Later, his first solo album released on his own Lench Mob Records, Ice Cube is on top of his creative game and relishing in his ability to make his latest album at his own pace and on his own terms.
I’m putting my money where my mouth is because theres nothing a major label can do for me that I cant do for myself, he says. Not being signed to a particular label, putting it out myself, not having to worry about what a company or anyone else has to think about the record, being able to just go in and do it how I feel it with no timelines or deadlines, it made me comfortable. I was able to recommitment myself to rhyming and rapping. That all molded the way that this record sounds, which is important because I want my records to last the rest of the year when they come out.
Truth be told, Laugh Now, Cry Later will last well into the next decade.
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Please share this info with those interested in attending these shows and see the info on me below.
Peace
Abdul-Jalil
(510) 394-4501
Posted via email from ¿eX-whY? AdVenture
 
SUPERSTAR MANAGEMENT
7633 Sunkist Drive, Oakland CA 94605-3032
(510) 839-5400, Fax (510) 638-8889
http://www.superstarmanagement.com
http://www.hiphophotspot.com/news_and_updates/view_news.asp?news_id=69
http://www.ifp.org/company/superstar
mailto:jalil@superstarmanagement.com

Congratulations on your achieving the status of Superstardom! At SUPER STAR MANAGEMENT (SSM), our experts have evaluated your talent and rate you as one of the best in the business. We know that SSM can make you very comfortable financially and would like to discuss this possibility with you. Please call SUPER STAR MANAGEMENT collect when you receive this.
Please send me via U.S. postal mail a complete hard copy of your complete package for review but you will get more info and must fill out the submission proposal form on the CASTING page at our website. That will determine how best for us to proceed.
Thanks,
Abdul-Jalil
510/ 839-5400
PS: Check out this info on modeling, it’s great stuff.
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How To Avoid Becoming
The Victim of Modeling Scams
Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
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